On Gertrude Stein
Linda Voris, “Teaching A Compositional Approach to Stein’s Portraiture”
In: Approaches to Teaching the Works of Gertrude Stein. Eds. Logan Esdale and Deborah M. Mix. Modern Language Association of America, Approaches to Teaching World Literature 152 (New York: MLA, 2018)
Linda Voris, “Framing Devices: Reading Background in the Sequence of Gertrude Stein’s Composition”
In: Primary Stein: Returning to the Writing of Gertrude Stein. Eds. Janet Boyd and Sharon J. Kirsch (Lexington Books, Rowman and Littlefield, 2014)
Linda Voris, “Interpreting Cézanne: Immanence in Gertrude Stein’s First Landscape Play, Lend A Hand or Four Religions.”
Linda Voris, ” ‘Shutters Shut and Open’: Making Sense of Gertrude Stein’s Second Portrait of Picasso.”
In: Studies in American Fiction, 39:2 (Fall 2012): 175-205.
Download PDF: Voris_Shutters Shut and Open_Stein_Picasso
Linda Voris, “How to Read How to Write: Response to Jacques Lezra.”
In: Modernism/ modernity, 5:1 (January 1998): 131-139.On contemporary poetry
Linda Voris, “The Curious Props”: Placing Memory in Recent Experimental Writing. Claudia Rankine’s Citizen: An American Lyric (2014) and Bhanu Kapil’s, Incubation: A Space for Monsters (2006)
In West Branch Wired
http://bucknell.edu/west-branch-wired/chetla-sebree/linda-voris.html
Linda Voris,“A Sensitive Empiricism: Berssenbrugge’s Phenomenological Investigations”
In: American Women Poets in the 21st Century. Eds. Claudia Rankine and Juliana Spahr (Wesleyan UP, 2002)
Download PDF: Voris_A Sensitive Empiricism_Berssenbrugge’s_Phenomenological Investigations
Reviews
Linda Voris, Review of Wittgenstein’s Ladder: Poetic Language and the Strangeness of the Ordinary, by Marjorie Perloff (University of Chicago Press, 1996)
The Boston Review, October/ November 1997
Download PDF: Voris_Boston Review_Perloff
Read online: http://new.bostonreview.net/BR22.5/voris.html